Film histories are often content with this overarching diagnosis of a failing arm of the creative industries. But is this dismissal a sufficient reading of a tumultuous and transformative era in domestic film culture?
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Exploring the periods from a transnational angle suggests that this is an era of substantial transformation, not only on the level of policy, but as regards the dynamics of film culture as a whole. Instead of two distinct paradigms — Finnish art house cinema; popular, largely imported programming — I examine the reciprocal contributions of the artistic and commercial paradigms to a transforming film culture, especially in terms of audience reception.
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Through analysis of production, exhibition, distribution and reception histories, we build a polyphonal picture of a complex and contradictory transnational film culture in transformation. My research is focused on transnational concerns in a range of cultural contexts and thematic frameworks. I am currently focused on expanding the normative framework of transnational screen studies by synergizing its concerns with ecophilosophy.
As a part of this thematic expansion, I am currently working on a monograph on ecology and Nordic film cultures for Continuum, editing a special issue of Interactions on Ecology and Transnational Chinese Cinemas , and co-editing, with Tommy Gustafsson, the book collection Transnational Ecocinema: Film Culture in an Era of Ecological Transformation for Intellect. Accessibility Help.
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A book eschewing the postcolonial hubris suggesting that Africa could only define itself in relation to its colonisers, 'a problem plaguing many studies published in the West on African cinema'. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees, and diasporas, religion, and magic as well as representations of children, music, languages, and symbols.
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Directory of World Cinema: American Independent 3 is now available for pre-order! Directory of World Cinema: American Independent 3. When the samurai met the cowboy: why Japan welcomes Hollywood remakes. Directory of World Cinema updated their cover photo.
Directory of World Cinema: Argentina 2 will be published in November Directory of World Cinema: Argentina 2. We regularly provide curated lists of books for review, which we will order for you upon requested assignment, and we also welcome suggestions. Film Comment contributors pick the best films of First class: the top 20 films of , as selected by our contributors, colleagues, and collaborators.
Red is probably the most charged of all primary colours.